Joanne Gail Johnson's Meaningful Books

I have noticed that West Indian children today role play with American accents the way my generation did with British ones. We are ever being colonized it seems, through the importation of the dream-media of others. It is a childhood 'knowing' that has led me on this path - to reflect our contemporary "Caribbean". For me the cultural context is not THE thing. It is treated with a deep acceptance and a deliberately "by-the-way" intention; just as any of my international counterparts do not always have to translate and explain their contextual references, and lingo to us. We stretch ourselves and include their points of view. So too, I am naturally inspired by the universality of my own specific backyard. The English country lane fiction created "locally" in the UK, by Beatrix Potter and Enid Blyton, did not alienate me as a child. I was invited to explore new worlds. Now, I give myself permission to present work through which the reader may see and hear, in our unique way, without making Caribbean content that is primarily about the fetish of folklore. My intention is to enhance cultural esteem at home, and to expand the experience of others; whether they visit our islands or have never heard of them!

Tuesday, January 1, 2013

Another MEANINGFUL BOOK by Joanne Gail Johnson

AVAILABLE SOON 2013 release   
Blog on for updates.

PLEASE, TELL ME WHERE IT HURTS... a children's book about feelings

Created and Written by: Joanne Gail Johnson
Illustrated by: Vanessa Soodeen 
46 pages, hard cover/ soft cover

From the Author's Desk:

With this book, I offer a gentle and honest script. The  intimate conversation between parent and child can be inhabited with non-threatening ease by readers of all ages. 

More than a storybook, my intention is to enliven an emotional  Safe Space  every and any where PLEASE, TELL ME WHERE IT HURTS is opened.

The bold visual tone supports emotional courage and authentic self-belief: 
"I can risk unmasking, because I AM essentially and inevitably Good".  

Nourishing the soul with such affirmative reality restores the inherent blessings of  Being. 

We are invited to return to our original inner sense, "innocence", and the profound illustrations point to this esoteric journey in  age appropriate ways.  




Born and bred in Trinidad and Tobago, Joanne Gail Johnson is a published author of eleven children's stories: illustrated readers, trade books and anthologized work published by the UK-based Caribbean division of Macmillan Education Ltd. 

In 2012, she received a scriptwriting grant from the Trinidad and Tobago Film Company for her published story SALLY'S WAY. 

Joanne's creative portfolio which includes Theatre In Education projects and Television Production, has been awarded an MCGI from City & Guilds in association with AHA, Trinidad.

Always involved in a number of  projects, Joanne conducts Creativity and The Primary School Teacher  workshops for BEd students in Trinidad. 
( https://www.facebook.com/CREATIVITYANDTHEPRIMRAYSCHOOLTEACHER)
Vanessa Soodeen http://vanessa-soodeen.blogspot.com/
Illustrator's Bio:
Irish-Trini Vanessa Soodeen is a published illustrator & author, Gestalt Psychotherapist, Teacher of English as a foreign language, and multimedia artist.  She has had solo and group art exhibitions in Trinidad, England, Ireland and Spain. She expresses and shares herself through the philosophy "Love, Live and Laugh". PLEASE, TELL ME WHERE IT HURTS is her 8th published children's book.
 





Wednesday, May 30, 2012

Sun TV's SunZen and a Trini Pothound

Sun TV's SunZen and a Trini Pothound
 

 Pothound by Chris Guiness

Simply Brilliant.

Now why can't our kids tune in to an episode of Pothound and grow up on meaningful, Caribbean content  like this every week? Why aren't there spin off books and merchandize of this adorable Chris Guiness character? 

Apparently, They say our market is too small yet go on to make and circulate millions in advertising dollars for producing  commercial clutter.

After two years, SUN TV, the first local cable channel (1996-1998,) produced over 700 hours of 100% indigenous Caribbean content with primarily volunteer labor. Having created and lived this thesis of possibility myself, I understand first hand and  heart to heart, that the air time of broacasters is not a plot of land on which to merely erect billboards of advertising.


I believe there is a palpable shortsighted and greedy resource possession in our market that perpetuates much dysfunction in our nation.

Far better to consciously sow seeds of genuine Creativity. 

But Creativity must first be understood and healed of the wounds inflicted by this thriving ignorance.

Every season could be a win win for all - broadcasters, film makers and audiences. We will learn more about who we are and what we genuinely do like. Where is our joyful enthusiasm and curiosity about our content? (Hail to the likes of Bruce Paddington, Chris Laird, Tony Hall and all those of us who sit at the feet of our generation of elders!) If advertisers can sell us into a whole lot nothing, surely they are smart enough to  get us to buy into meaningful indigenous content. Local content can add up. Can contribute to a quality of life in which we are increasingly  safe at home, to be successful and beautiful and to enjoy our creative successes as blessings for All.

I was scolded once for putting 'those kinds of people' on TV when I sought content from the grassroots in my country. Having had a longer than a short list of eye-opening experience and conversations during my decade in local television, I awoke from the illusion that we are living in freedom.

Broadcasting is simply a way of casting the net of an idea broadly with the hope of captivating audiences who will consume. So it inherently wields the seductive power not only of controlling financially, but  of managing any group of people ideologically.

Whether this is done consciously or not, the outcomes are the same.

We remain a self-alienated people who buy in to the momentary pleasures we are sold by the importing merchant class. This lack of willingness to see clearly and to endure discomfort for unified longer term goals, is only a trend of immaturity. In my mind both God and Change are inevitable. Good Orderly Direction (Julia Cameron) arises when a level of suffering previously endured is no longer  tolerated.

Only, I had hoped to be a part of such creative change in my lifetime. And I still sincerely wish to live long enough to see a generation claim its own before having to import  ourselves once we have been produced, packaged and appreciated internationally.

So, fifty years into this Trinbago experiment I can only say,  Hip Hip Hooray for the visionary class of wealth that will in fact figure this out:  how to fairly monetize Caribbean creativity not for the bottom line benefit of the select few, but to the benefit of us all in ways that can be seen and directly experienced as wholesome.

We don't have to entirely reinvent the wheel. This is why US culture is globally prevalent and dominant (whether or not we 'like' the idea of that, is not my point.)

The Western world's entertainment culture beyond the  money-making machine, also reflects the  spirit of loving "a good thing" en masse. We watch annually while, ( and now the likes of FB and  You Tube peresent evidence of this),  millions vote rightfully for the best talent out of an amazing slate of singers, dancers and variety acts.  Yet every year our citizens rig rewards for acts that many respected critics say warrant our steupses, not dollars. It is as though we are more colonial still, while our colonizers on both sides of the pond have been evolving and at least in some aspects are taking up the struggle of failing false growth.

We seem so docile here. Is it a false peace? Not even our popular signers creatively give voice to a diverse range of legitimate claims we desire and deserve.

We can already see evidence in cultures where great ideas are rewarded, talent awarded and every I and I and I  has at least a fair and fighting chance. Nobody loves a Rags to Riches story more than Americans, and diverse populations flock to the US because of this promise.

I am not playing violins about the Land of Milk and Honey. Any chances may  be tainted by  a wide range of  stereotypical corruptions: nepotism, favoritism, and all the cut back and back handedness. BUT neither does this wider market wholly exclude the manifested Natural Order evidence of hard work, sincerity, audience appeal, legitimate talent and novel ideas that break ranks. Such acts and efforts are  included in the circulation of wealth.

All around the world monopoly games are being played that will never appeal to nor benefit fully from truly Creative Souls, not because creatives don't need or understand the value of money, but because there is nothing creative about designing games in which one winner comes first on a field of one. 

Where's the fun in that?

New internet tools are changing the way we see each other and interact with each other and even the biggest Titan(ic) is scrambling now to figure out how not to become extinct at rock bottom. 

There is a way through. 

It has to do with opening up to evolving Self through raising consciousness.

There is a  process of authentic creativity in which no negative consequence of a hurting conscience will be experienced. 

On this track, any rewards that come, do not easily derail the creative fire and authenticity that possesses the individual. Nor is it necessary to give it all away in an act of self crucifixion. The Creative Soul can contain and embrace its fair due without being taken advantage of, nor participate knowingly in taking advantage of others.

Manifesting open-ended systems stimulates organic expansion through the security of a  fair-rooted system of growth. 

Essentially, open-ended systems are mobilized by the human need for and respect of freedom and free expression. So we endure some of the profane to embrace the divine that inevitably bears fruit in a realm of quantity seeking quality. Even the profane, once manifest can be witnessed and addressed culturally.

It's not all good, but creative freedom is a good thing, all round.

That's why globally we can't help but look to the west (North American and Europe) for entertainment and inspiration. Asian film and music moguls now emulate western stars as a matter of popular commercial vindication. The potential in this, is global harmony which celebrates cultural diversity. Bin Laden is said to have loved Whitney Houston and rotated her music on his iPod. Yet his consciousness seeks to annihilate the imperfect, organized chaos that allows talents like  her to blossom onto a world stage.

Reality is simply this: The sun shines on everyone, no matter which side you pick.

So I am not pro or anti any individual or system but I endeavor to observe, to learn and to grow.  I choose to walk and climb around the 360 degree tree sitting on this branch and that branch to witness a whole perspective of our collective landscapes now laid bare, before formulating my opinions in each moment and situation. From such a vantage point we can look at and respond to what is needed here and now. This includes the wisdom of  considering models where the seed of creativity is  more fully formed and expressing.
SUN TV Sun Zen - (to become fully aware here and now) illustrator: Vanessa Soodeen


I am not speaking from ideals but from ideas I have formulated through the practical experience of the living thesis of my own half century here. To be honest, I value the simplicity of what I do not yet have materially, not because I denounce or reject wealth or worldly blessings, but because anything that I have L-earned and am L-earning cannot be undone or unknown. It is integrated on the authority of my own direct experience.

There is a posture within the self,  of "Service" which  bears creative fruit that cannot rot, nor can be stolen or rejected.

There is no need to contort ourselves and abuse ourselves creatively, but until we love ourselves and each other in ACT-U-ality, we will allow ourselves to be colonized and used by and for the sake of the "land owning" few... meanwhile, back on the plantation, we have no chance of emancipation.

Free internet tools should not be taken for granted. The monopolies are changing that too; silently, slowly - you will notice the more frequent advertising tie-ins and geographic relevance of the ads that pop up no matter what you search. 

Really, what is "free" about the 'cheap talk' telecommunication providers  spend millions of dollars advertising so they can  sell us back our divine right of free speech  that we do not fully exercise otherwise? What is ecstatic and lastingly joyful about the hang over and the disease of our partying and alcohol consumption? What  good taste is there in the packaged medicines we need in order to tolerate the junk foods that abuse our body temples? How are the modern technologies increasing the ease in our way of life, do we line up and wait and wait any less? The next government contract will spend millions to buy product and content that will rot, and wear and disintegrate before the next generation is born. Private business will benefit. The rest of us will get the scraps from the top tables.

Milkshake money from any one of these budgets could potentially launch episodic series like Pothound. Creating meaningful content is investing in a kind of enduring enlightenment which cultivates a  legacy of  enriching wholesomeness in our  young and old, rich and poor alike.

Digicel ads here recently tried to reflect a marriage of fiction film in advertising, but when will the advertiser take a back seat and allow the writers/ producers  to honor the flow of their own unique creative expression without commercial compromise at the front end?

In 2012 is there any  greater commodity  than freedom and freedom of speech? Films short or long, home made or professionally produced are a way forward for us all.

 If you not selling something it means in the wheels of it all you are simply a consumer - this is what another local filmmaker and author Francis Escayg says about his love for his creative expression. We buy Hollywood and Bollywood, and in time we will by T&T. Thanks to the work of TTFilm Co there is change afoot.

Those picking and peeling oranges and roasting nuts to sell in between the creation of an odd poem into kaiso here and  there, may be  actualizing more Freedom than most. Those of us  in the middle with the real accumulative power,  don't bother to figure it all out. We collapse into insipid ideas of, "What on earth can I do anyway?"

We can think. We can feel. We can sing, dance, write, talk. We can express and manifest what is at the unseen heart of our creative souls. And if we can't or won't  we can consume the work of those who do.  We can support not with a pat on the back, but with our dollar votes.

 Massa Day done people - wake up shake up and express yourselves. I and I and I am a national treasure and savior of my people. If not now...WHEN?! Doh put your heart and soul into a political vote for any three letters  other than  I AM...(you fill in the free blank check of Self).
 
The Art of Falling 
Far better to fall flat on your face than to stand on your feet without ever trying, without ever knowing what your I AM expression may contribute.

We have learned to wear the masks of sly smiles and keep everything real  under cover. The healing and  risk taking of Creative Souls must endure straddling many  Grand Canyons of ideology,  not as a personal survival strategy, and dodging bullets, but in the service of building bridges.

Donald W. MacKinnon's classic studies of highly creative architects pointed to personal characteristics associated with creativity. He emphasized balance. Creative response must be both novel and adaptive to reality. (i.e helpful). He identified creative people were typically inventive, individual, independent, enthusiastic, industrious and determined. In addition they are willing and able to address both their strengths and weaknesses openly and honestly; can deal with and accept ambiguity and lack of closure.

My ultimate purpose  here, is not to pit Creative Souls against Business Souls, but to blow the whistle and call out the  bullies  on the playing field. (And I've met a few). 

It's time to work and play together. 

Chris Guiness working with the TTSPCA and TTFILM CO does this perfectly in his short film Pothound -  So click like and share and send the creator feedback comments.

Business has a duty to build up the careers of independent creatives and must include creative freedom and free artistic expression (i.e. not merely advertising careers). 

Our civilization rests in our capacity to  honor that which is free in others. This idea is most often employed locally in order to defend against our collective dysfunctions. Even publicly we speak out unashamedly to preserve drunk driving as a cultural institution and as an individual's right to assess his or her own alcohol limit while carnage on the roads hunts another generation. 

On the other end of that raw stick we are  really protecting the pocket of an historical mess we need to untangle. Most First World markets have banned and regulated certain kinds of advertising as a bid to protect not just the "Market" but our children and brothers and sisters. What if we simply and quietly put down our end of the stick en masse? Would we need a national policy and another NGO to pretend at solving our problems? 

What if we became aware of every raw stick we are supporting at our end, and over which we each have absolute power, providing we employ our will in that direction?

It is the role of the artists: writers, producers, actors, musicians, composers, dancers and so on to inspire, reflect and talk back to us through their art forms and there is no better medium for this than television.

And now we have the internet. But some online gurus say  it is just a matter of time before those who operate higher up the pyramid of our economies will dominate that too. To what end? Will they be satisfied with more of the same? Will their grandchildren?

The day-to-day blessing of working creatives surpasses the lump sum glory of awards and grants bestowed like scraps from our patrons' tables. We need consumer/ market support to really grow creatively.

It is the everyday working freedom which constructs irrigation channels into the circulatory system and rewards cultural creatives with "Belonging".  To build up the careers of creatives is to share in the real  estate of their intellectual properties. Advances, stipends and royalties are legitimate and traditional  methods of profit sharing. The publishers and executive producers who invest the cash usually get the lion's share anyway but the Creatives' value of time, effort and ineffable raw material also seeks and deserves a  generous return on investment. 

Creative players in fact, usually have more to lose in terms of sense of self, credibility and life goals.

Of those of us inflicted by the gods who cannot walk  a walk of authenticity, Three Canal poignantly says in Talk yuh Talk, "Who ent dead, badly wounded." 

Promoting competition is the way Business Souls can understand creativity and profit from it. But Creativity in its essence is communal more than competitive.

It is time for Creative Souls to appreciate the needs of profit and business making too and help bridge the gaps. We have work to do that can only be done when we move past a sense of entitlement.

There is no corruption worse perhaps than dysfunctional loyalty: loyalty that buys local without discerning quality, loyalty that preserves status quo, and supports systems of thought and ego consciousness that are essentially working against the natural law. 

This is not opinion. Take time to observe the way gravity metaphorically and miraculously does not work in for some big businesses. Is there  no falling for these guys, no matter what they perpetrate against the All?

Unless we put skin on the values we claim to worship and uphold once a week, there is no embodiment of heaven on earth. We join ranks with those who only wait for another world and another time when the world of Good Orderly Direction, here and now, awaits undone. In my direct experience our authentic transformation is not a far off utopia. It is as practical as doing or not doing the dishes; as accumulative an effect as not putting out the garbage. One situation, one wash load at a time, we simply attend to the domestic need at hand.

Films can help us with all that needs to be done, but rather than engaging directly by a controlled force of sponsored editorializing we must be able to speak freely through our art forms on a wide range of themes and topics. There is no one film about World War II for example. Many voices, many creatives have added their chapter to that story and many more will continue to do so.

Practicing anything brings improvement if not prowess. Thickening the emotional skin of Creative Souls comes not from compromising the integrity of our dreams but through the process of enduring the kind of  paradoxical healthy humiliation, which comes to us when we care wholeheartedly for who we are and what we feel called to do in the world. Such a seed soon flowers into  a the precious guarantee of humility that willingly endures for a necessary time an 8 to 4, clock-in-clock-out environment, or waits tables at a friend's restaurant and cleans up behind husbands, or  children of another. 

In this context the true self feels the juxtaposition of enormous contrast. The manure only serves then to fertilize the conception of a way through. As the pop songstress Jo Dee sings "I'm thirsty anyway, so bring on the rain" and the very soil that seems to weight down the Creative Soul  does not snuff it out, but secures its emergence towards the sun.

It is inevitable.


Tuesday, May 29, 2012

Creativity & The Primary School Teacher

CREATIVITY & THE PRIMRAY SCHOOL TEACHER - Where reading and writing begin!

https://www.facebook.com/CREATIVITYANDTHEPRIMRAYSCHOOLTEACHER
See my facebook page for  postings, links, and resource content for primary school teachers and parents.

Creativity can be assessed. 
In my course, Creativity & The Primary School teacher we look at a wide range of definitions of creativity and use a multi-faceted assessment of four key characteristics: the ability to generate ideas, to dig deeper into ideas, to follow inner tuition (intuition), to courageously explore ideas that are apparently in direct opposition to your own.
Through 8 three hour workshops, a number of non-academic exercises and projects are explored and are self assessed, peer assessed and facilitator assessed using my LEAP scale measurement. 
The primary aim of the course however is to increase awareness of ourselves as creators and to show that we are each and all creative without exception. While we study some Creativity theory and explore models of creativity, the intention is to provide practical opportunities for increasing personal experiencing. In this way creativity is not taught, but healed. 
Awakening teachers move from a vague sense of "But how creative am I?" to contemplating, " How am I creative?" This specific shift in consciousness potentially transforms their classroom teaching and the quality of time spent with the students under their care. 
By August 2012 two hundred teaching adults would have completed the course. 
Regardless of systems of education, syllabuses and national agenda the individual impact is empowered, and may prove greater in our bid for authentic transformation.
Workshop bookings: 868-355-6930

Thursday, May 10, 2012

Writing the wrongs....Teaching Activism

SAVE THE IBIS!
Writing the wrongs....Teaching Activism

I've been seeing a lot of graffiti and fliers posted around Maraval saying KONY 2012 and am prompted to feel:

- It is good that  locals even know or care about Joseph Kony.
- How wonderful that we do actually  have locals willing to  print and post fliers for re-education!
- I am NOT willing to support the defacing of  property even if it is for a great cause.
- I wonder why we are so moved to action (Haiti comes to mind too) when the issue is far afield, yet remain so passive when there are any number of needs locally that call for our attention.
- We march, print fliers, complain etc, but there are so many other  creative ways to respond.
- When will we use our financial, consumer power to support  our values and to penalize injustice?

Let's take the illegal hunting of our national bird in Trinidad, the scarlet ibis as a case in point and my children's book IBIS STEW? Oh. NO! (Mamcillan)

Backstory:
From (1980 to 1982) I trained with Lorna Mackay's then Centre for Dramatic Arts and, completed a two-year apprenticeship as a facilitator of children's theater process. I went on to use theater as a process for healing creativity and manifesting self-esteem in children and adolescents at community centers in St. Ann's and Woodbrook; and founded my own group The Hamelyn Players (1983 to 1989). During this time, I also facilitated Theatre-in-Education projects for Trinidad Theatre Workshop and U.W.I.'s Creative Arts Center.

In 1985, while still a classroom teacher (Grades 1 to 3) I attended and completed an environmental education/ interpretation workshop hosted by the Organization of American States in association with our national Forestry Division of The Ministry of Agriculture, Lands & Food Production.

Having been sensitized to the duties of caring for our natural environment, in the years that followed typical reports about illegal hunting affected me more than ever. It was commonplace to see headlines in the dailies like, "Ibis Shot - Tourist in Shock!" and "National Bird Needs Government Protection".

The pieces were about to fit together quite naturally. 

Gathering a troupe of my teacher and actor friends, (all are credited in the dedication of IBIS STEW? Oh, NO!) I was able to workshop writing ideas, and together we created an interactive  play called "The Island",  about the illegal hunting of our national bird.  I went on to produce, direct and act in the play, with each actor doing double duty in charge of costumes or stage management; simply filling areas of need. We toured 7 primary school venues in 1990-1991 and donated the proceeds for the purchase of trees which the Wild Fowl Trust, (champions of the ibis), needed at that time.

By the turn of the millennium I was a published children's book author with Macmillan and in 2004, already with four illustrated readers released. Around this time I began seeing headlines and articles in the dailies again about the illegal hunting of our national bord.

My creative response at this time, was naturally, to write a book. 

IBIS STEW? Oh, NO! was published in 2006 and while I have toured the length and breadth of Trinidad with the book it was only while at a bookstore for an author's visit in the Bahamas that I met a complete stranger who approached me with her toddler on hip, "Oh we love you book! We have it at home and read it all the time."

They had never been to Trinidad and have no vested interest in our  national legacy, but they GOT IT! Yes, the got the book, as in purchased it, and they got the sincerity of my message. Although specific to our culture and to our Trinidadian legacy, the work is wholly universal in meaning and intent.

Today, a Face Book posting by a fellow Trini writer,  and Island Fiction author, led me to read a TIME World article headlined: On the Menu: A National Treasure by David Shaftel. This was his own creative response to the ongoing plight of the ibis after a recent visit to the Caroni Swamp.

A poacher confided in him, that he can fetch  as many as 20 birds per hunt, each one — barely meaty enough for a single serving — netting him about $30. But the birds are not poached to feed people who would otherwise go hungry, he says. "It's more of a vice, not for the people who live near the swamp, but the bigger people," restaurant owners in the rural south that serve it illegally and wealthy connoisseurs who have come to view eating scarlet ibis as a status symbol. (In 2001 the chairman of the country's airports authority was arrested for poaching scarlet ibis)

(Read more: http://www.time.com/time/world/article/0,8599,1726684,00.html#ixzz1uTnxib7T )

Sadly most of us will agree, it is still indeed our culture to not only ignore our national treasures of any sort, but, like Captain Bad at the opening of my children's book,  to literally and metaphorically eat them for dinner!

Whenever I read IBIS STEW? Oh, NO! for our local children they are not only alarmed at the thought of this insensitive grown up world around them but they are surprised to hear me say, that they can change it.

"YOU, my dear children, are our true national treasure," I add before I leave and then we affirm together, repeating with gusto, "I AM A NATIONAL TREASURE!"

More than a cautionary tale, my intention has always been that IBIS STEW? Oh, No! would enliven an awareness of how each of us can creatively respond to the problems we encounter in the world. The book's epilogue attests to that goal. It is presented as Captain Bad's  log or scrapbook,  after he has been converted from pirate to watchman and guardian of the ibis. In these pages, readers will find a letter from Molly Gaskin and Karilyn Sheppard, (Pointe-a-Pierre Wild Fowl Trust, Trinidad) and real live champions of the scarlet ibis; and finally, tips on how to start a SAVE THE IBIS CLUB! 

Here I teach a wholesome activism that invites readers to ACT on their passions by:
- hosting a read aloud tour of the book around their schools and neighborhoods
- act out favorite parts of the story or even turn it into a play to share with family and friends
- make soundscapes using  vocals inspired by sounds you would hear in the Caroni Swamp and in parts of the story; compose and share a song about the ibis.
- have a cavalcade - make some placards with "Save the Ibis!" messages, and don masks and costumes and, carnival style,  parade around your school or neighborhood.
-Write the wrong - write letters to the government and  editors of daily newspapers and voice your concerns.

More than just a  storybook, IBIS STEW? Oh, NO! is a treasure trove of educational materials for parents and teachers. I can only dream that one day all local families, classrooms and school libraries would have a copy, and sound the call; and not only for  re-education in the matter of illegal hunting of our national bird.

We need to mobilize within our next generations a necessary, hopeful and respectful activism. An activism that trusts the invaluable treasure of our innate creativity. We can remind ourselves that there is an infinite, pure potential to tap into, every time a limitation constricts our growth and goodness. 

We need to  look sincerely at our reflection in the worlds  we are creating; and not with a sense  of entitlement, but with through the wisdom of enlightenment/ We can come to know that what is most valuable in and around us, is worthy and deserving of our dutiful protection and preservation.

IBIS STEW? Oh, No! is available in Trinidad at R.I.K. stores and online at Amazon and in all NALIS libraries in Trinidad.  Get, or gift one today!

Monday, March 26, 2012

Sally's Way - Thousands sold in Africa and the Caribbean!

SALLY'S WAY - Joanne Gail Johnson
Even illustrated readers get loved!

 SALLY'S WAY, (Macmillan-Caribbean 2002) is "just" a children's book, and "only" an illustrated reader after all, but  was crafted through a conscious desire to  awaken young readers, especially girls,  to the essential goodness of our Caribbean life. Turns out my point of view is well supported almost a decade later:

In 2011 The Royal Commonwealth Society  published a report : "Because I Am a Girl" which states, “New research reveals the best and worst places in the Commonwealth to be born a girl. New Zealand tops the charts followed closely by Barbados and Trinidad and Tobago."

Don't rush to steups!  I understand there is no real culture  here as yet actualizing  the value of  politically and economically independent  voices. I agree, steupsin' at the very least, may be justified. Abroad, there is much brave journalism which covers many international atrocities we do not  experience now in T&T however. So,  perhaps we are quick to overlook what girls and women in  other territories endure as a matter of relative experience. Yes, I may be implying that we under appreciate all that we have, but this is not to say that I condone or think sexism and misogyny should be glossed over, even where it exists in lesser degrees. 

http://www.caribbeanchildren.com/sallys_way.htm

I mean no disrespect by simplifying seemingly complicated and grandiose situations, or by suggesting that the simplest of children's stories, mine included, can literally heal the world. However, the context for my work has been within an awareness of  human creative consciousness, which multiplies and expands through the application of our attention.  My books have always been an expression of meaning and through Meaningful Books, I propose a longer term, still thoughtful approach to healing and transformation.

For over 70 years The Royal Commonwealth Society claims it has been taking action and standing up for every child’s right to fulfill their  potential: 
Giving children a healthy start in life, including access to safe drinking water 
Securing the education of girls and boys
Working with communities to prepare for and survive disasters 
Inspiring children to take a lead in decisions that affect their lives 
Enabling families to earn a living and plan for their children’s future.

 It is in this spirit of helpfulness that I crafted SALLY'S WAY, with one major difference: the preservation of sovereignty.  Sally's individualistic, self-determination, supported by her community of men, (none of them her biological father), heralds an authentic  dignity and liberty for the collective Caribbean girl-child. Though challenged by her circumstances, Sally needs no economical or cultural salvation from a Mother Country or a political party. Her self-governance is intuitive and essential. Her supporting characters  are equally alive with responsiveness and she finds age appropriate opportunities within easy access.

Deliberately stereotypical in terms of racial relation to financial circumstances here,  the text revises our domestic script primarily in terms of tone. I chose my story to reflect the neighborly potential still being readily expressed person to person in all walks of life and all corners of T&T; not because I want to be all-Disney about the Caribbean; not because I have forgotten the painful histories of our ancestors; by race or gender. Nor is my personal story exempt from this shared pain. 

My conscious intention has always been to write for our children from a transcendent vision that is post-racial, post-sexism, post-bigotry.

Sally’s Way, does not glamorize or fantasize worldly success. It stays true to the realities we experience in a relative world. It honors the strength and capacity of any individual to realize her potential. When the conditions within are met - Sally’s divinely endowed self-belief, fueled by her innate desire to  lovingly serve another -  they are inevitably reflected in the world she influences. In this way,  potential  is restored over time, and transcendence REALized.



All my stories, like Sally herself, aim to fulfill the opportunities granted me. 
 The  meaningful simplicity of a childhood book remains with us forever. Even illustrated readers, get loved, worn out,  passed around, treasured as favorites and kept under the pillows with heads full of dreams for the future.
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